Two events took place last week on Tuesday March 8th. Both resonated with me. First, it was Independent Women’s Day and, secondly, my novel ‘Beautiful Losers’ was published in the U.S. The connection probably seems blindingly obvious, but actually the truth is subtler.
‘Beautiful Losers’ is the first time I’ve written with a female main protagonist in eight years. Prior to this, I wrote action adventure style/spy fiction with male main protagonists. Now every writer knows that it’s important to creep under the skin of both sexes, but choice of main player requires a special degree of skill and confidence. I explained why I preferred ‘writing as a guy’ a couple of years ago in articles I wrote for Book Oxygen and Books by Women. In the latter I was particularly revealing: ‘Returning to why I find it easier to write from a male perspective, the simple truth lies in my childhood.’ I went on to explain how my mother’s death when I was eight years old had a profound effect on my life. ‘From that moment my family consisted of my two big brothers and my father. In spite of me being sent away to school, they were the biggest influences on my life by far, while my mother’s death was and remains the most defining. It was a catastrophe and it changed us all, but for me something elemental shifted. ‘ I go on to describe the domestic mayhem that ensued, including a fast procession of females in and out of our house, and how the mood music at home focused on cars and women, booze and business deals, and that it was a ‘no-brainer’ to slip into a man’s skin when writing.
So why, you’re entitled to ask, the big departure now? Many factors, I guess. Three of my children are daughters and I’ve watched them grow up and have children of their own. Without going all ‘shrinky’ on you, I’ve not always found it easy to be around women, let alone be part of the ‘sisterhood’. It’s probably a hang-up associated with aforementioned ‘domestic mayhem.’ Over time, my attitude has changed simply because I’m older and I, too, have evolved. And there has been a surprising element of joy in discovering that my own sex is neither to be feared nor distrusted (mostly) and that there is, indeed, a special, unique camaraderie that exists between women.
And something extra that is hard to define.
‘Spiritedness’ comes close, and a determination to succeed whatever the odds, for it’s very often females that pick up the pieces when things cut up rough. It just so happens that same gutsiness is an essential attribute found in the best and most convincing main protagonists (male and female) and I hope that Kim Slade, my main player in ‘Beautiful Losers’, despite the pressures she is put under in my story, emerges a stronger, more grounded, individual than when she started – if only for a short time!
Like I said, writers need to drill down beneath the skins of their characters in order to make them as credible as possible – easier when there is much to celebrate about the fairer sex.
‘Beautiful Losers’ will be published by Midnight Ink on April 1st in the UK