Scooting around on Facebook, as you do, I spotted a number of writers who are embarking on edits, often after submitting drafts of new novels to agents or editors a couple of months ago. Now we all know that the likelihood of writing something fabulous straight off is as likely as winning Euromillions, but I bet we all secretly hope that edits are for others.
And squadrons of piggies may fly…
After the initial euphoria of the ‘thumbs-up’, there comes the downside of ‘Hell, what a lot of work I have to do.’ In my case, this is literary karma because my day job is spent analysing unpublished novels and suggesting edits to authors. As a veteran of the dreaded edits, I usually advise said author to read the critique a couple of times and put it and the novel away for a few weeks. Let suggestions percolate and then, if these resonate, revise. This usually averts hot-cheeked fury and the strong desire to throttle the editor (me.) I’ve only ever received written attacks twice, both knee-jerk as soon as the critique has hit the inbox, which in many ways is surprising because however kindly constructive criticism is served up, it wounds. It hurts. (Which is why bad reviews sting so much, but that’s a whole different story). A novel is like your child. Nobody wants to be told that his or her kid has ‘issues’.
With the stiletto firmly on the other foot, I settled down to figuring out which edits to tackle first this week. As every writer realises, even a slight change in a chapter or plot line has repercussions elsewhere. This stuff is not for the faint-hearted. Someone once told me that early drafts are like jam that hasn’t yet set. Sounds benign, doesn’t it? It might not have set but it can still be flaming sticky. Anyway, in the spirit of team effort (for that’s what writing is all about) I’m about to get cracking.