BLOODY NORA!

by evseymour

One of my most prized literary possessions is a dictionary of slang. Last week, I tried to find out the origin of ‘Bloody Nora’ and came up empty. Help was at hand through a familiar on-line source, and I quickly discovered that it started out as a Cockney phrase ‘flamin-orror’ that morphed into ‘Flamin’ Nora’ and, finally, the more colourful version, ‘Bloody Norah.’ What the hell does this have to do with anything, you might ask?

Well, it was the phrase that popped out of my mouth unbidden when watching the sequel to the Malaysian sub-titled film ‘The Raid.’ As it turned out ‘flamin’ was rather apposite for one particularly gruesome scene. And, my goodness, I wouldn’t advise you to watch it if you’ve just had your dinner. Talk about paint the town red.

The story, such as it was, involves Rama, a cop going undercover to gain access to a deadly criminal outfit in order to produce names and evidence. Actually, I forgot all this because the violence that quickly erupted superseded the narrative. Now don’t get me wrong, never has 143 minutes flown so quickly. I was utterly mesmerised by the fabulously choreographed fight scenes – why bother with a gun when you have a deft pair of feet and hands? However these were not the only weapons on show. There was a young guy with a ball and what looked like a rounders bat that most have weighed a ton, (all the better to smash someone’s face in) and a woman who was pretty nifty with a pair of claw hammers. (I had a vision of a backroom team sitting in a small office pitching ideas for the most innovative way to bump someone off.) As you might imagine, there was a point where I grabbed a breath and gave thanks for having a relatively sound mind. With so much blood gushing from every orifice on-screen, what might those visual images do to someone of a more vulnerable and impressionable disposition? Not that I’m advocating censorship. It did make me wonder, however, whether graphic violence packs more punch when the story isn’t in one’s native tongue.   Is there an added scary dimension because it seems slightly unfamiliar? I’m not sure…

I’m guessing ‘The Raid 2’ might be considered tame fare for fans of the horror genre, but, bloody Nora, I think this is pretty much as far as I want to go.

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